Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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MICHELE PANNONIO
The Muse Thalia

ID: 88483

MICHELE PANNONIO The Muse Thalia
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MICHELE PANNONIO The Muse Thalia


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MICHELE PANNONIO

Hungarian Early Renaissance Painter, ca.1400-1464 Painter, active in Italy. He was one of the most important painters at the court of Ferrara in the mid-15th century and contributed to the creation of an indigenous Ferrarese style of painting. Most of his works have been destroyed. He may have been born in Hungary, as his name implies. There are parallels between his style and that of contemporary painters working in Hungary, but nothing is known of his early career. The suggestion that he can be identified with a Michele dai Unii, paid in 1415 for painting a standard for Leonello d'Este,  Related Paintings of MICHELE PANNONIO :. | The Anatomy Lesson of Dr.Nicolaes Tulp | Une moderne Olympia | Naked women and white mat | Fustus Lipsius and his Pupils or The Four Pbilosopbers (mk01) | The Madwoman or the Obsession of Envy |
Related Artists:
Jewett, William Smith
American, 1792-1874
LEDESMA, Blas de
Spanish painter documented 1602-1614 in Granada,Spanish painter. He is known to have worked in Granada from 1602, and in 1614 he designed a stucco vault decoration for the Alhambra. Archival sources testify to his renown as a painter of decorative fresco grotesques (untraced) and still-lifes. His activity as a still-life painter remains debatable, partly because he has been confused with Blas de Prado and also because of Torres Marten's controversial attributions. Ledesma's only unanimously accepted autograph painting is Still-life with Cherries and Flowers (Atlanta, GA, High Mus. A.), signed in Granada. A highly decorative painting, it shows none of the sophistication of still-lifes by Juan Senchez Cot?n, in Granada from 1603. It is painted meticulously and drily. Depicting a severely drawn, rather flat basket on a narrow ledge flanked by flowers behind it, the rigorously symmetrical composition is relieved only by soft lighting and the studied disarray of some fallen cherries. Two other unsigned and poorly preserved still-lifes of analogous subject-matter have been attributed to Ledesma
Hugo Vogel
painted Martin Luther preaching at the Wartburg in 1882






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